London: Routledge & Kegan Paul Books.Ĭao, B. In Power, Action and Belief: A New Sociology of Knowledge? ed. Some Elements of a Sociology of Translation Domestication of the Scallops and the Fishermen of St Brieux Bay. Beijing: Zhonghua Book Company.Ĭallon, M. Journal of Ming-Qing Fiction Studies Z1: 319–332. Monografías de Traducción e Interpretación, Sin mes, 173–192.Ĭai, T. Uncovering the Hidden Actors with the Help of Latour: The ‘Making’ of The Second Sex. The article emphasises that, besides the translator, publishers were crucial in translation production and promotion, and therefore, publisher agencies should not be downplayed in translation studies. people and material objects), to produce and promote Monkey, the article reveals the very particular and practical translational and material conditions under which the many versions of Monkey were produced and disseminated. Through analysing how translation agents assembled, together with necessary resources (i.e. Supporting data from other sources such as A Bibliography of Arthur Waley (Johns, A Bibliography of Arthur Waley, The Athlone Press, London, 1988) will be referenced where necessary. Discussions will be made based on the correspondence exchanged between a wide range of translation agents participating in the production of the English versions and the many re-translations of Monkey. Based on actor-network theory, this research explores the agents that generated, and the dynamics that underpinned the network of translations (different versions of Monkey), which in turn extensively increased the circulation of the translation ( Monkey). Monkey was first translated by Arthur David Waley and originally published by George Allen & Unwin in London in 1942. This article studies the dissemination of Journey by focusing on one of its many English translations, namely Monkey: A Folk-tale of China. Many efforts have been made to facilitate the worldwide circulation of Journey to the West, a classical Chinese literary canon.
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